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The Haunted Castle - 1896 George Melies Silent Film

Le Manoir du diable (English: The Haunted Castle) is a three-minute-long French film directed by Georges Méliès. The film contained many traditional pantomime elements and was intentionally meant to amuse people, rather than frighten them. Nonetheless, it is considered to be the first horror film.

Cassie Muniz
The film was presumed lost until 1988, when it was re-discovered in the New Zealand Film Archive.

The Haunted Castle (1896 film) - Wikipedia, the free ...

Le Manoir du diable, released in the United States as The Haunted Castle and in Britain as The Devil's Castle, is an 1896 French short silent film directed by Georges Méliès. The film, a brief pantomimed sketch in the style of a theatrical comic fantasy, tells the story of an encounter with the Devil and various attendant phantoms. It is intended to evoke amusement and wonder from its audiences, rather than fear. However, because of its themes and characters, it can technically be considered the first horror film (and, because it includes a transformation involving a bat, it has even been called the first vampire film). The film is also innovative in length - its running time of over three minutes was ambitious for its era.

The House of the Devil (1896) - IMDb

Directed by Georges Méliès. With Jeanne d'Alcy, Georges Méliès. A bat flies into an ancient castle and transforms itself into Mephistopheles himself. Producing a cauldron, Mephistopheles conjures up a young girl and various supernatural creatures, one of which brandishes a crucifix in an effort to force the devil-vampire to vanish.

Georges Méliès - Wikipedia, the free encyclopedia

Marie-Georges-Jean Méliès, known as Georges Méliès (/meɪˈljɛs/; French: [meljɛs]; 8 December 1861 – 21 January 1938), was a French illusionist and filmmaker famous for leading many technical and narrative developments in the earliest days of cinema. Méliès was an especially prolific innovator in the use of special effects, popularizing such techniques as substitution splices, multiple exposures, time-lapse photography, dissolves, and hand-painted color. His films include A Trip to the Moon (1902) and The Impossible Voyage (1904), both involving strange, surreal journeys somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy. Méliès was also an early pioneer of horror cinema, which can be traced back to his The Haunted Castle (1896).

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